Tuesday, March 16, 2010

Vinnai Thaandi Varuvaayaa

It's been very long since a movie evoked so much mixed response from the Tamil audience. More than a decade has passed without a full length love story in Tamil after Alaipaayuthey.

I chose to see the Telugu version of this movie (Ye Maaya Chesave) first. Gautham has taken full advantage of directing the movie in two languages and given the notorious track record of Telugu audience outright turning down tragic ends, he's concluded the movie with a pleasing touch in Telugu.

The Telugu pair (Samantha and Naga Chaithanya) is young and the tale looks so realistic. The Tamil pair (Trisha and Simbu) is aged. Samantha tells Naga Chaithanya that she's 24. My heart indeed skipped a beat when Trisha tells Simbu that she's 23. These things can happen only in Tamil cinema.

The dialogues capture the mood perfectly. "Inga enna solluthu, Jessy Jessy nu solluthaa?" has become so popular.

I could not digest Trisha as the heroine after watching Samantha doing a perfect Jessy in Telugu. Her probing eyes. My Goodness. Whenever I saw Trisha, it kept saying "Samantha, Samantha".

This is also one instance after a long time, that the title of the movie tells the story in essence. Trisha keeps showing up on and off in Simbu's life without actually entering. Simbu pursues her with all his heart and still fails to make it. However, he succeeds as a film maker in the end.

Gautham has become the second director to make best use of Chinmayee. She's dubbed so well for the heroine that, the voice adds to the obstinacy of the character.

What makes Rahman a living legend, is that he underplays his compositions when the lyrics are original and powerful. In this soundtrack, you can listen Rahman dancing his fingers to Thamarai's words. It goes to show his love for the language. Usually, songs slow down the pace of the movie. This is one special movie in which the songs pace up the otherwise slow storyline.

In Vettaiyaadu Vilaiyaadu, Kamal tells a depressed Jyothika, "Go get some sleep. Everything will be alright in the morning. I tell this myself, every night". After seeing VTV, it is pretty much evident that Gautham carries a lot of pain with him. You might end up a successful creator but you are doing injustice to your human self.

After a sweet, romantic and poetic tale, the director has chosen to articulate the real end through a dialogue from the heroine. This doesn't serve any purpose. Even after her narration, I could see in the theatre, intellectuals explaining the climax to their dumb companions. You should have told the audience through a better screenplay rather than a lengthy dialogue. If they don't understand, so be it. Even now, it's the same. This is where Maniratnam distinguishes himself from you guys. Way to go, Gautham.

I hear people telling that they want to fall in love (again or for the first time) after seeing the movie. The whole purpose is lost. The movie talks about falling in love after a girl strikes and not striking a girl after falling in love. Very ironical. I know a guy who's seen the movie twice in back to back shows and will not end without making it atleast ten times.

It is also very sad that, it takes a movie to bring out the emotions in people. It goes to show how far people are emotionally drained in their lives. Visualize a smile from me, here.

No wonder the visual media keeps impacting people the wrong way and continues to be successful.

There are some elders who did not find anything of content in the movie. Yes. There is not much of content in this movie. You are rational beings who rely on scientific reasoning and ignore signals from the other side of the mind.

Nonetheless, this movie is an attempt to portray women in bad light by showcasing a girl highly inconsistent in her moves. And he's succeeded. Men have all reasons to celebrate. Kudos!!

True. Gautham has seen inconsistent women. I'm yet to see one.

7 comments:

  1. I guess you already have seen one. But, you need a little ego massage (and of course a bit courage) to realize and accept the fact.

    ReplyDelete
  2. It doesn't take me courage or ego massage to accept reality. I've come this far and I wouldn’t want to hide anything and I’m not afraid of you people.

    ReplyDelete
  3. உலகத்தில் எத்தனையோ சினிமா இருக்குது, நீ ஏன் விண்ணைத்தாண்டி வருவாயா தெலுங்கில பார்க்கனும்!

    அந்த படத்தில் பிடிச்சது - திரிஷா தான். என்ன அழகு! என்ன நடிப்பு! திரிஷாவோட ஜெஸ்ஸி characterக்குத்தான் அந்த படத்தை மூன்று தடவை பார்த்திருக்கிறேன்.

    கருத்து:
    அனைத்து கலைப் படைப்புகளும் உணர்வுகளின் அடிப்படையில் படைக்கப்படுகின்றன.
    ஒவியம், கதை, கவிதை, இசை & சினிமா (உட்பட) அனைத்தும் உணரப்படுகின்றன.

    ஒரு சினிமா பார்க்கும் பொழுதோ, ஒரு புத்தகம் படிக்கும் பொழுதோ அல்லது இசையை கேட்கும் பொழுதோ உணர்வுகள் (feeling or emotional) வெளிப்படுவதில் எந்த தவறும் இல்லை.

    For feeling some love,
    Read the book 'P.S I LOVE YOU' and
    See the movie '50 DATES'

    ReplyDelete
  4. I'm still of the same opinion. Those who have seen the Tamil version have seen only 25% of the movie. To get the complete feel, watch the Telugu version in which Samantha essays the role perfectly.

    ReplyDelete
  5. Without knowing Telugu, How can i understand the full movie! or How i can feel it!

    How did u understand the entire dialogues of Jessie & karthik in Telugu?

    ReplyDelete
  6. Understand everything - This is the biggest barrier you people need to step out of. You don't need to decipher every single word of the dialogues, to feel what is happening. It is not a book. After all, they are visuals. Once you've stepped out of this barrier, you will be able to appreciate those things which are beyond your reach.

    ReplyDelete
  7. விண்ணைத்தாண்டி வருவாயா தெலுங்கில பார்த்திட்டேன்.
    சிம்பு & திரிஷாவோட நடிப்புதான் நல்லாயிருக்கு.
    திரிஷாதான் சூப்பர்

    ஆனால் தெலுங்கு கிளைமேக்ஸ்தான் பிடிச்சிருக்கு.
    பாவம் தமிழ்நாட்டுக்காரங்க!

    ReplyDelete